ħajjitna ktieb
John Demanuele jiltaqa’ ma’ Nadia Mifsud u flimkien jitkellmu fuq ħajjet, u kitbiet, Nadia.
John Demanuele jiltaqa’ ma’ Nadia Mifsud u flimkien jitkellmu fuq ħajjet, u kitbiet, Nadia.
Luke Galea jidħol f’diskursata mal-Poeta Lawreata Nadia Mifsud fuq Max-Xatt tat-Tamarisk (Kotba Calleja, 2022) ta’ Claudia Gauci, ix-xbihat li tevoka din il-ġabra, id-djalogu li jinħoloq mal-qarrejja permezz ta’ kull titlu mistoqsija, u l-mod kif Gauci ppreżentat lill-mara. / Luke Galea dialogues with the Poet Laureate Nadia Mifsud on Claudia Gauci’s Max-Xatt tat-Tamarisk (Kotba Calleja, 2022), the imagery this poetry collection evokes, the dialogues it provokes with the reader through all its titles presented as a question, and the way Gauci presents the woman
L-ewwel rumanz ta’ Nadia Mifsud, issa stabbilita sew fil-poeżija sew fin-narrattiva, huwa eżempju ieħor ta’ kitba minn mara li tistħarreġ id-dinja mill-esperjenza femminili, aktar milli l-ħajja tal-mara kif distinta mir-raġel jew inkella bħala estensjoni jew deklinazzjoni tiegħu. Mark Vella fl-aħħar jaqra Ir-Rota Daret Dawra (Kważi) Sħiħa.
This year, Nadia Mifsud won the National Book Prize with her poetry collection Varjazzjonijiet tas-Skiet (Ede Books, 2021), which led to her being bestowed the prestigious title of Poet Laureate. / Din is-sena, il-ġabra poetika Varjazzjonijiet tas-Skiet (Ede Books, 2021) ta’ Nadia Mifsud rebħet il-Premju Nazzjonali tal-Ktieb, u dan wassal lill-poeta Mifsud għat-titlu speċjali ta’ Poeta Lawreata, rikonoxximent għall-fatt li dan kien it-tieni premju mirbuħ fil-qasam tal-poeżija.
Mark Vella dam iteftef f’din il-kitba biex jipprova jispjega l-entużjażmu li ħass għall-aħħar xogħol ta’ Nadia Mifsud. Żifna f’Xifer Irdum huwa ktieb li jqanqal l-emozzjonijiet bis-serjetà, u li jistabbilixxi bid-dritt leħen il-mara fix-xena kontemporanja Maltija
I’ve always felt that the Maltese language is a rough one. When spoken it’s has a guttural feel and no less better when written, even when using the more polite forms there still an underlying brutality. However Nadia Mifsud has proved me wrong. All the stories in Żifna f’xifer irdum ( literal translation: Dancing on a Cliff Edge) are beautifully written; this is prose which envelopes you in it’s beauty, each word, expression has it’s own special place.
My mum gave me books as treats when I was young, says Nadia Mifsud. Life is all about firsts. And for an author, firsts tend to leave an imprint of memories that translate into literature.
DTO est une émission de radio littéraire féministe et queer lyonnaise créée en 2018 et animée par Maïté Cussey, Margot Espinasse et Marion Feugère. Le concept consiste à mettre à l’honneur un•e auteurice, qu’iel soit de théâtre, roman, poésie, BD ou toutes autres œuvres qui se prêtent à la mise en voix. Parce que oui, iels écrivent, iels ont des choses à dire et nous, nous avons bien des choses à écouter !
F’dan l-episodju ta’ Wiċċ imb Wiċċ, Antonella Axisa titkellem ma’ Nadia Mifsud dwar ir-rumanz tagħha ‘Ir-rota daret dawra (kważi) sħiħa’ (Merlin Publishers, 2017). L-istorja hija mibnija fuq ir-rakkont ta’ omm tar-relazzjoni diffiċli ma’ bintha Abigail u t-traġedja tal-ħajja qasira tagħha.
This is the book that broke my heart and still made me love it, the one that I am recommending whole-heartedly even though reading is guaranteed to make you sad. Why would anyone want to do that, I hear you ask. The answer is simple. Finding beauty so raw that it will touch your heart is a rare thing in and of itself. When it comes in the shape of exquisitely-crafted words and a narrative that is so human and engaging… well, then it is priceless and certainly worth any amount of sadness.
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